Solresol (Langue Musicale Universelle) is a language created by François Sudre in the mid-nineteenth century. It is an "a priori" language, meaning that it's vocabulary is not based on any existing languages - Solresol is actually based on the musical scale.
Every word in Solresol is composed from only seven syllables (the musical scale) - Do, Re, Mi, Fa, Sol, La, and Si. In the current musical scale, "So" is used instead of "Sol", and "Ti" in lieu of "Si" - at the time that Solresol was created, the latter were used, so it is appropriate to continue their use when using Solresol.
I discovered Solresol around a year ago, and I recently decided to explore it deeper. This blog is my way of organizing my thoughts and presenting my ideas and input to the (virtually nonexistant [EDIT - not anymore! Check more recent posts]) online Solresol community (if they happen to find me... perhaps I shall need to find them).
There is actually very little information around on Solresol, and much of it (as far as I'm aware) has only turned up recently at the hard work of dedicated people.
[EDIT - This next paragraph is also not true anymore]
The primary source that I will use is Boleslas Gajewski's grammar of Solresol, published in 1902 (after Sudre had died). I am using this because: 1. It seems to be the most prevalent online source for most other people that are using Solresol; 2. It is the most accessible to me (an English speaker); and 3. I don't believe that Gajewski would have intentionally changed major facets of the language, so any discrepancies I am assuming are changes that Sudre made but which we do not have in publication (most of Sudre's work, as far as I know, is missing).
This work is available at these links (I provide several in the off chance that some of them stop working (as far as I can tell they are all the same)) :
The second source I will be using is Sudre's book on Solresol, Langue Musicale Universelle [EDIT - again, not true anymore. This is really my main (only) source for vocabulary now]. I am using this second for many of the reasons provided above - primarily because it is less accessible. It only appeared online relatively recently (sometime in late 2009), and it is A. in French (which, alas, I do not speak); B. In a PDF format that doesn't allow one to search for words; C. The dictionary does not spell out words, it simply provides a picture of a musical staff with the notes on it, rendering it nigh impossible to read and reference; and D. it's just really long and the scanned pages are rather difficult to read. So basically it's just really inconvenient. - However! It does contain some valuable information that I can decipher with motivation and the help of Google Translate, so it is an indispensible reference. The problem is that it is sometimes contradictory to Gajewski, so I had to create an order of priority, and Gajewski was just so much easier and more prevalent.
The PDF book can be found here:
Personally, I feel that from what I know of Solresol, it is an awkward language to speak - there are rules of emphasis that are difficult to grasp and employ (questions that arise include, "How do I not put stress on
any of the syllables??"), and the repitition tends to make it run together. It's not impossible to do, but it seems more inconvenient (also, the chances of meeting someone who understands (or even
knows about it) are very slim). For those reasons I feel that Solresol should be, primarily, a written language. It is one opinion, of course, but it makes sense. There is a shorthand that can be used to write it which makes it look less repetitive, and it is easy to mark accents while writing. I am learning Solresol for mostly personal reasons; I see it as more of a "secret code" with which I can write things to myself without others understanding than as a language with which I will frequently communicate with others. I am, of course, open to using it as a communication tool, but I feel that it is so obscure that such incidences (even on the internet) will be uncommon. [EDIT - actually, it turns out communication might be easier than I though :) ]
Solresol is unique in its ability to be expressed through a large variety of means - spoken words, music (both written and played), colors (red through indigo and violet (seven total)), numbers, written words (and abbreviations), and the written shorthand. I admire this versatility, and it is one of the things that attracted me. It seems the most useful language if one were to frequently need to communicate in secret code (which I secretly wish I did). Solresol just offers a unique opportunity to think about language in a different way, and I'd like to delve in deeper.
So there it is. My reason for creating this blog is just to express my ideas more clearly to a hopefully not too nonexistant audience, but at least to myself. I also realize that there are certainly some words and/or phrases that are just missing in Solresol, and need to be created. I plan on creating some for my use and (hopefully) for others as well, which can't happen if I don't put it on the internet
somewhere.
Well that's all -
Bye :)
